Tristan Perich Composer Tristan Perich’s (New York) work is inspired by the aesthetic simplicity of math, physics and code. The WIRE Magazine describes his compositions as “an austere meeting of electronic and organic.” 1-Bit Music, his 2004 release on Cantaloupe Music, was the first album ever released as a microchip, programmed to synthesize his electronic composition live. His follow-up release, 1-Bit Symphony, was called “sublime” (New York Press), and the Wall Street Journal said “its oscillations have an intense, hypnotic force and a surprising emotional depth.” His latest album, Drift Multiply (Nonesuch, New Amsterdam), for 50 violins and 50 speakers, was described by the New York Times as “a constantly evolving landscape where sounds coalesce and prism, where the violins both pull into focus and blur into a soothing ether.” His work coupling 1-bit electronics with traditional forms in both music and visual art has been presented around the world, from Sonar and Ars Electronica to the Museum of Modern Art and bitforms gallery. Participant In: Music to Whose Ears II: Embodied Cognition Saturday, January 24, 2015 2:30-4:30 pm Past Event Watch the video » In our previous roundtable, Music to Whose Ears? Music, Emotion, and Mind (April 13, 2013), our participants explored a multitude of ideas connecting music and emotion. In this follow-up roundtable, artists and scientists will explore together the body’s role in musical experience, its perception and cognition. Striking a Chord: Hearing and Space April 27th, 2024 at 2:30PM Past Event Watch the video » Vibration sense is one component of touch. Refinements of this sense, and in some animals the emission of vibration – typically from the vocal cords – has evolved to echolocation, to clicks, grunts, roars and to speech. The vibration of one special membrane, the ear drum, creates that wonderful interface that enables us to appreciate and locate… read more »
Music to Whose Ears II: Embodied Cognition Saturday, January 24, 2015 2:30-4:30 pm Past Event Watch the video » In our previous roundtable, Music to Whose Ears? Music, Emotion, and Mind (April 13, 2013), our participants explored a multitude of ideas connecting music and emotion. In this follow-up roundtable, artists and scientists will explore together the body’s role in musical experience, its perception and cognition.
Striking a Chord: Hearing and Space April 27th, 2024 at 2:30PM Past Event Watch the video » Vibration sense is one component of touch. Refinements of this sense, and in some animals the emission of vibration – typically from the vocal cords – has evolved to echolocation, to clicks, grunts, roars and to speech. The vibration of one special membrane, the ear drum, creates that wonderful interface that enables us to appreciate and locate… read more »