Lewis Porter Professor of Music, Rutgers University Lewis Porter (Lewisporter.com), long known as a jazz educator and author of books, including the most celebrated volume on John Coltrane, is also very active as a jazz pianist, keyboardist, and composer. Known for a free and open attitude, he contributes to many types of musical situations. Dr. Porter has appeared in concert internationally with such masters as Dave Liebman, Ravi Coltrane, Judi Silvano with Joe Lovano, Jeff Coffin, Jane Ira Bloom, Wycliffe Gordon, Joe Morris, Marc Ribot, George Garzone, Mark Dresser, Gerry Hemingway, Alan Dawson, Gregg Bendian, and many others. He is a regular member of the Indian-influenced quartet Dharma Jazz with Badal Roy (Dharmajazz.net). His three-movement concerto for saxophone and orchestra will be performed by Dave Liebman in the fall of 2012. He has recorded three CDs as a leader of the Altrisuoni label–Second Voyage, Italian Encounter (Live in Italy), and Transformation (duets with fellow pianist and Berklee professor Marc Rossi); and he appears on the Dharma Jazz CD Just Four, and the duo CD with clarinetist and NJIT professor David Rothenberg. The critics have said that Porter is “a helluva piano player” (Jazz Times); “Mixing experimental with traditional, \\[he\\] plays up a storm” (Midwest Record); “Porter is a deep thinker” (Swing Journal); his music is “founded upon depth and cunning use of space” (ejazznews.com). Porter was nominated for a liner-note Grammy in1996. Participant In: Collaborations: Jazz and Poetry Sunday, October 14th 3:00 - 4:30PM Past Event Watch the video » What is jazz poetry? How can words, inert objects, be used to convey this blues-based, improvisatory, aural form? What is a jazz-related piece of writing? Is it merely “about” jazz, or does it do something more? How do poems respond to jazz in all its musical and cultural overtones? How are written art forms able… read more »
Collaborations: Jazz and Poetry Sunday, October 14th 3:00 - 4:30PM Past Event Watch the video » What is jazz poetry? How can words, inert objects, be used to convey this blues-based, improvisatory, aural form? What is a jazz-related piece of writing? Is it merely “about” jazz, or does it do something more? How do poems respond to jazz in all its musical and cultural overtones? How are written art forms able… read more »